| Ident. | Authors (with country if any) | Title |
|---|
| 000077 |
Marcia B. Siegel [Niger] ; Millicent Hodson [Royaume-Uni] | Restaging Works from the Ballets Russes: A Conversation between |
| 000079 |
Stephanie Jordan [Royaume-Uni] | One or Two Voices? Dance and Music in the Ballets Russes |
| 000080 |
Nicholas Attfield [Royaume-Uni] | A Study on Hysteria: Reinterpreting the Heroine of Debussy's Pelléas et Mélisande |
| 000081 |
Nicholas Attfield [Royaume-Uni] | A Note from the Guest Editor |
| 000094 |
Andrew Mcgonigal [Royaume-Uni] | Philosophical Perspectives on Art by davies, stephen |
| 000114 |
Arnold Whittall [Royaume-Uni] | Writing through Music: Essays on Music, Culture, and Politics. By Jann Pasler. |
| 000117 |
Robert Samuels [Royaume-Uni] | The Double Articulation of Schubert: Reflections on Der Doppelgänger |
| 000128 |
Andy Birtwistle [Royaume-Uni] | Marking time and sounding difference: Brubeck, temporality and modernity |
| 000132 |
Ben Winters [Royaume-Uni] | Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Ed. by Victoria Piel, Knut Holtsträter, and Oliver Huck. |
| 000137 |
Caroline Potter [Royaume-Uni] | Déodat de Séverac: Musical Identity in Fin de Siècle France. By Robert F. Waters. |
| 000139 |
Arnold Whittall [Royaume-Uni] | Dane Rudhyar: His Music, Thought, and Art. By Deniz Ertan. |
| 000140 |
David Fanning [Royaume-Uni] | Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich. By Sarah Reichardt. |
| 000181 |
David Evans [Royaume-Uni] | Word and Music Studies: The Nineteenth Century |
| 000182 |
Daniel Leech-Wilkinson [Royaume-Uni] | The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. By Steven Jan. |
| 000183 |
A. E. Denham [Royaume-Uni] | The Future of Tonality |
| 000185 |
Andy Hamilton [Australie, Royaume-Uni] | Scruton's Philosophy of Culture: Elitism, Populism, and Classic Art |
| 000191 |
Raymond Monelle [Royaume-Uni] | Pentatonicism from the Eighteenth Century to Debussy. By Jeremy Day-O’Connell. |
| 000192 |
Helen Abbott [Royaume-Uni] | POETRY AND MUSIC: A DOOMED LOVE AFFAIR? |
| 000194 |
Caroline Potter [Royaume-Uni] | Nadia Boulanger et Lili Boulanger: Témoignages et études. Ed. by Alexandra Laederich. |
| 000195 |
Joanna Bullivant [Royaume-Uni] | Modernism, Politics, and Individuality in 1930s Britain: The Case of Alan Bush |
| 000199 |
Abigail Wood [Royaume-Uni] | Jewish Music and Modernity. By Philip Bohlman. |
| 000200 |
DMG [Royaume-Uni] | Jean Sibelius. Dagbok 1909–1944. Ed. by Fabian Dahlström.Jean Sibelius: Poesie in der Luft. Studien zu Leben und Werke. By Tomi Mäkelä.Sibelius. By Andrew Barnett. |
| 000205 |
Arnold Whittall [Royaume-Uni] | Elliott Carter: A Centennial Celebration. Ed. by Marc Ponthus and Susan Tang.Elliott Carter: A Centennial Portrait in Letters and Documents. Ed. by Felix Meyer and Anne C. Shreffler. |
| 000206 |
David J. Williams [Royaume-Uni] ; Tom S. Potokar | Django’s Hand |
| 000272 |
J. P. E. Harper-Scott [Royaume-Uni] | ‘Our true north’: Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England |
| 000276 |
Nick Chadwick [Royaume-Uni] | Theodor W. Adorno and Alban Berg: Correspondence 1925–1935. Ed. by Henri Lonitz. Trans. by Wieland Hoban. |
| 000282 |
Jeremy Barham [Royaume-Uni] | Scoring Incredible Futures: Science-Fiction Screen Music, and “Postmodernism” as Romantic Epiphany |
| 000284 |
William Salaman [Royaume-Uni] | Reflections on progress in musical education |
| 000288 |
Caroline Rae [Royaume-Uni] | In Havana and Paris: The Musical Activities of Alejo Carpentier |
| 000295 |
Matthew Isaac Cohen [Royaume-Uni] | Eva Gauthier, Java to jazz |
| 000299 |
Alexandra Wilson [Royaume-Uni] | Defining Italianness: The Opera That Made Puccini |
| 000344 |
Arnold Whittall [Royaume-Uni] | Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners. By Christian Thorau. |
| 000348 |
Nick Chadwick [Royaume-Uni] | Pierrot lunaire: Albert Giraud—Otto Erich Hartleben—Arnold Schoenberg. Ed. by Mark Delaere and Jan Herman. |
| 000350 |
Arnold Whittall [Royaume-Uni] | Messiaen |
| 000351 |
Nicholas Reyland [Royaume-Uni] | Lutosławski, ‘Akcja’ , and the Poetics of Musical Plot |
| 000363 |
Mark Berry [Royaume-Uni] | Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ |
| 000367 |
Mariana Maduell [Royaume-Uni] ; Alan M. Wing [Royaume-Uni] | The dynamics of ensemble: the case for flamenco |
| 000369 |
David Carr [Royaume-Uni] ; Robert Davis [Royaume-Uni] | The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts |
| 000376 |
Colin Gough [Royaume-Uni] | Musical Acoustics |
| 000382 |
Arnold Whittall [Royaume-Uni] | Allen Forte in Music Analysis |
| 000385 |
Martina T. Mitterschiffthaler [Royaume-Uni] ; Cynthia H. Y. Fu [Royaume-Uni] ; Jeffrey A. Dalton [Royaume-Uni] ; Christopher M. Andrew [Royaume-Uni] ; Steven C. R. Williams [Royaume-Uni] | A functional MRI study of happy and sad affective states induced by classical music |
| 000396 |
Arnold Whittall [Royaume-Uni] | Tristain Murail’s complete piano music |
| 000418 |
Ian Mcdonald [Royaume-Uni] | Musical alexia with recovery: a personal account |
| 000438 |
Arnold Whittall [Royaume-Uni] | Carter’s Violin Concerto |
| 000456 |
Debbie Hindle [Royaume-Uni] ; Susie Godsil [Royaume-Uni] | The song of the siren: Some thoughts on idealization and creativity in Martinů's Julietta |
| 000467 |
Craig Ayrey [Royaume-Uni] | Jankélévitch the Obscure(d) |
| 000469 |
Roger Crisp [Royaume-Uni] | Hedonism Reconsidered |
| 000470 |
David Lowenthal [Royaume-Uni] | From harmony of the spheres to national anthem: Reflections on musical heritage |
| 000471 |
Amy Wygant [Royaume-Uni] | FIRE, SACRIFICE, IPHIGÉNIE |
| 000473 |
Ben Earle [Royaume-Uni] | Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo |
| 000560 |
Patricia Holmes [Royaume-Uni] | Imagination in practice: a study of the integrated roles of interpretation, imagery and technique in the learning and memorisation processes of two experienced solo performers |
| 000573 |
Arnold Whittall [Royaume-Uni] | Contemporary German composers |
| 000591 |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 000623 |
Nicola Dibben [Royaume-Uni] | Who Needs Classical Music? Cultural Choice and Musical Value . By Julian Johnson. Oxford University Press, 2002. 140 pp. ISBN 0-19-514681-6 |
| 000632 |
Rosalía Rodríguez-Vázquez [Royaume-Uni] | The Cambridge Companion to Singing . Edited by John Potter. Cambridge: Cambridge University Press, 2000. 286 pp. ISBN 0-521-62709-5 |
| 000652 |
Arnold Whittall [Royaume-Uni] | Olga Neuwirth's ‘Bählamms Fest’ |
| 000684 |
Arnold Whittall [Royaume-Uni] | Lachenmann |
| 000687 |
Arnold Whittall [Royaume-Uni] | Judith Weir |
| 000690 |
Raymond Macdonald [Royaume-Uni] | Jazz and Death: Medical Profiles of Jazz Greats . By Fredrick J. Spencer. University Press of Mississippi, 2002. 311 pp. |
| 000692 |
Arnold Whittall [Royaume-Uni] | Isang Yun |
| 000750 |
Adam Ockelford [Royaume-Uni] | On Similarity, Derivation and the Cognition of Musical Structure |
| 000805 |
Arnold Whittall [Royaume-Uni] | György Ligeti. Music of the Imagination by Richard Steinitz, Faber and Faber, £25.00. György Ligeti: Style, Ideas, Poetics by Marina Lobanova, translated by Mark Shuttleworth, Verlag Ernst Kuhn. |
| 000808 |
Arnold Whittall [Royaume-Uni] | FURRER: Aria; Solo; Gaspra. Petra Hoffmann (sop), Lucas Fels (vlc), ensemble recherche. Kairos 0012322KAI NEUWIRTH: Clinamen/Nodus; Construction in Space. London Symphony Orchestra c. Pierre Boulez; Klangforum Wein c. Emilio Pomàrico. Kairos 0012302KAI |
| 000810 |
Deborah Mawer [Royaume-Uni] | Enlivening analysis through performance: ‘Practising set theory’ |
| 000812 |
Arnold Whittall [Royaume-Uni] | DONATONI: Piano Music. Maria Isabella de Carli, with Mariarosa Bodini. Stradivarius STR33627 DONATONI: Arie; Voci; Prom; Doubles II. Pilar Jurado (sop), Netherlands Radio SO c. Arturo Tamayo. Stradivarius STR33628 |
| 000832 |
Andy Hamilton [Royaume-Uni] | The Art of Recording and the Aesthetics of Perfection |
| 000878 |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
| 000886 |
Arnold Whittall [Royaume-Uni] | Review: Neuf essais sur la musique |
| 000889 |
Arnold Whittall [Royaume-Uni] | Review: La Musique, la recherche et la vie: un dialogue et quelques dérives |
| 000915 |
Arnold Whittall [Royaume-Uni] | Defusing Dionysus? New Perspectives on The Rite of Spring |
| 000926 |
John Clifford [Royaume-Uni] | The Trickster Function in the Theatre of Garcia Lorca. By Sarah Wright. London: Tamesis, 2000. Pp. ix + 149. £35 Hb. |
| 000927 |
Christine Hamilton [Royaume-Uni] | The Politics of the Arts in Britain Today. By Clive Gray. Basingstoke: Palgrave, 2000. Pp. xiii + 224. £40 Hb. |
| 000932 |
Willy Maley [Royaume-Uni] | Shakespeare and Race. Edited by Catherine M. S. Alexander and Stanley Wells. Cambridge: Cambridge University Press, 2000. Pp. x + 233. £35/$54.95 Hb; £13.95/$19.95 Pb. |
| 000936 |
Mike Gonzalez [Royaume-Uni] | Reception and Renewal in Spanish Theatre. By John London. London: W. S. Maney & Son, for Modern Humanities Research Association, 1997. Pp. xiv + 273. £30 Pb. |
| 000938 |
Nicholas White [Royaume-Uni] | REVIEWS |
| 000939 |
Patrick Mcguinness [Royaume-Uni] | REVIEWS |
| 000971 |
Brian Crow [Royaume-Uni] | Community Theatre: Global Perspectives. By Eugene van Erven. London and New York: Routledge, 2001. Pp. xiii + 269. £14.99 Pb. |
| 000975 |
Arnold Whittall [Royaume-Uni] | BOOK REVIEWS |
| 000981 |
Simon Shepherd [Royaume-Uni] | A Preface to Marlowe. By Stevie Simkin. Harlow: Pearson Education, 2000. Pp. x + 270 + illus. £15.99 Pb. |
| 000982 |
Maria Shevtsova [Royaume-Uni] | A History of Russian Theatre. Edited by Robert Leach and Victor Borovsky. Cambridge: Cambridge University Press, 1999. Pp. xv + 446 + illus. £55; $99 Hb. |
| 000984 |
David Gowen [Royaume-Uni] | (Dis)Placing Classical Greek Theatre. Edited by Savas Patsalidis and Elizabeth Sakellaridou. Thessaloniki: University Studio Press, 1999. Pp. 498 + illus. No price Pb. |
| 000A13 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 000A42 |
A. Hamilton [Royaume-Uni] | The art of improvisation and the aesthetics of imperfection |
| 000A44 |
Adrian C. North [Royaume-Uni] ; David J. Hargreaves [Royaume-Uni] ; Jennifer Mckendrick [Royaume-Uni] | The Effects of Music on Atmosphere in a Bank and a Bar |
| 000A50 |
Geoffrey Chew [Royaume-Uni] | Martinů's Three Wishes and their fulfilment: links between Paris and Prague in music of the 1920s |
| 000A77 |
Bojan Bujic [Royaume-Uni] | REVIEWS |
| 000B01 |
Matthew Gandy [Royaume-Uni] | The Paris Sewers and the Rationalization of Urban Space |
| 000B33 |
Nicholas Patsides [Royaume-Uni] | William M. Banks, Black Intellectuals: Race and Responsibility in American Life (London: W. W. Norton & Company, Ltd., 1997, £22.00). Pp. 335. ISBN 0 393 03989 7. |
| 000B37 |
Inderjeet Parmar [Royaume-Uni] | Theda Skocpol, Boomerang: Clinton's Health Security Effort and the Turn against Government in U.S. Politics (New York and London: W. W. Norton & Company, 1996, $27.50). Pp. 230. ISBN 0 393 03970 6. |
| 000B44 |
Ian Scott [Royaume-Uni] | Robert M. Slabey (ed.), The United States and Viet Nam from War to Peace (London: McFarland, 1996, £34.65). Pp. 268. ISBN 0 7864 0227 X. |
| 000B51 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 000B66 |
Brian R. Harding [Royaume-Uni] | Oscar Handlin and Lilian Handlin (eds.), From the Outer World (Cambridge, MA and London: Harvard University Press, 1997, £36.50 cloth, £16.50 paper). Pp. 491. ISBN 0 674 32639 3, 0 674 32640 7. |
| 000B73 |
Frank Cogliano [Royaume-Uni] | Malcolm J. Rohrbough, Days of Gold: The California Gold Rush and the American Nation (Berkeley: University of California Press, 1997, $29.95). Pp. 368. ISBN 0 520 20622 3. |
| 000B78 |
Vivien Hart [Royaume-Uni] | Leslie J. Reagan, When Abortion Was a Crime: Women, Medicine, and the Law in the United States, 1867–1973 (Berkeley: University of California Press, 1997, $29.95). Pp. 387. ISBN 0 520 08848 4. |
| 000B82 |
Rick Halpern [Royaume-Uni] | John H. M. Laslett (ed.), The United Mine Workers of America: A Model of Industrial Solidarity? (University Park, PA: The Pennsylvania State University Press, 1996, £58.50). Pp. 576. ISBN 0 271 01537 3. |
| 000B97 |
Trevor Mccrisken [Royaume-Uni] | David Thelen, Becoming Citizens in the Age of Television: How Americans Challenged the Media and Seized Political Initiative During the Iran–Contra Debate (Chicago: University of Chicago Press, 1996, $55.00 cloth, $14.94 paper). Pp. 247. ISBN 0 226 79470 9, 0 226 79471 7. |
| 000B99 |
Douglas Tallack [Royaume-Uni] | Curtis Besinger, Working with Mr. Wright: What It Was Like (Cambridge: Cambridge University Press, 1995, £45.00 cloth, £15.95 paper). Pp. 313. ISBN 0 521 48122 8, 0 521 58714 X. |
| 000C00 |
Robert Lewis [Royaume-Uni] | Carl E. Prince, Brooklyn's Dodgers: The Bums, the Borough, and the Best of Baseball (New York: Oxford University Press, 1996, $23). Pp. 202. ISBN 0 19 509927 3. |
| 000C15 |
Adrian C. North [Royaume-Uni] ; David J. Hargreaves [Royaume-Uni] | The Effect of Music on Atmosphere and Purchase Intentions in a Cafeteria |
| 000C30 |
Arnold Whittall [Royaume-Uni] | Cross-Currents and Convergencies: Britten, Maxwell Davies and the Sense of Place |
| 000C32 |
Derek Wynne [Royaume-Uni] ; Justin O'Connor [Costa Rica] ; Dianne Phillips | Consumption and the Postmodern City |
| 000C43 |
Derek Gatherer [Royaume-Uni] | The evolution of music—A comparison of Darwinian and dialectical methods |
| 000C49 |
Vladimir I. Braginsky [Royaume-Uni] | Rediscovering the ‘Oriental’ in the Orient and Europe: new books on the East-West cultural interface: a review article |
| 000C51 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 000C62 |
Christopher Page [Royaume-Uni] | Listening to to the trouvères |
| 000E83 |
David Ayers [Royaume-Uni] | Jazz: Music and Background |
| 000E96 |
Alan Smaill [Royaume-Uni] ; Geraint Wiggins [Royaume-Uni] ; Mitch Harris [Royaume-Uni] | Hierarchical music representation for composition and analysis |
| 000F13 |
John Warrack [Royaume-Uni] | REVIEWS |
| 000F15 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001018 |
Arnold Whittall [Royaume-Uni] | Carl Dahlhaus, the nineteenth century and opera |
| 001031 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF MUSIC |
| 001126 |
Paul Oliver [Royaume-Uni] | |
| 001133 |
Maurice Larkin [Royaume-Uni] | Reviews of Books |
| 001161 |
N. P. Carter [Royaume-Uni] ; R. A. Bacon [Royaume-Uni] ; T. Messenger [Royaume-Uni] | The acquisition, representation and reconstruction of printed music by computer: A review |
| 001223 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001237 |
Charles C. Ford [Royaume-Uni] | BOOK REVIEWS |
| 001272 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001378 |
Patrick Carnegy [Royaume-Uni] | REVIEWS |
| 001384 |
Arnold Whittall [Royaume-Uni] | ITALIAN CANTATAS |
| 001385 |
Arnold Whittall [Royaume-Uni] | ITALIAN CANTATAS |
| 001474 |
Denis Arnold [Royaume-Uni] | REVIEWS OF BOOKS |
| 001506 |
D. B. Fry [Royaume-Uni] | The singer and the auditorium |
| 001606 |
A. E. Pilkington [Royaume-Uni] | REVIEWS |
| 001679 |
Roger Scruton [Royaume-Uni] | Representation in Music |
| 001714 |
Anne Berrie [Royaume-Uni] | VICTORIA OCAMPO ET L'ÉTRANGÈRE DE SAINT-JOHN PERSE |
| 001719 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001729 |
Philip Drew [Royaume-Uni] | Facts and Fancies |
| 001741 |
Bernard Williams [Royaume-Uni] | L'envers des destinees |
| 001754 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
| 001782 |
Jack Westrup [Royaume-Uni] | REVIEWS OF MUSIC |
| 001789 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001794 |
Jack Westrup [Royaume-Uni] | ORCHESTRA |
| 001801 |
Jack Westrup [Royaume-Uni] | COLLECTED EDITIONS |
| 001865 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001925 |
Arnold Whittall [Royaume-Uni] | STRAVINSKY AND MUSIC DRAMA |
| 001963 |
Edward Lockspeiser [Royaume-Uni] | DEBUSSY'S SYMBOLISM |
| 001969 |
I. N. Marshall [Royaume-Uni] | The Four Functions: A Conceptual Analysis |
| 001992 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001A63 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 001A78 |
Jack Westrup [Royaume-Uni] | CLAVICHORD |
| 001A98 |
Arnold Whittall [Royaume-Uni] | ROUSSEAU AND THE SCOPE OF OPERA |
| 001B08 |
Jack Westrup [Royaume-Uni] | HARPSICHORD SOLO |
| 001B85 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
| 002194 |
Boris Semeonoff [Royaume-Uni] | A NEW APPROACH TO THE TESTING OF MUSICAL ABILITY |
| 002207 |
Jack Westrup [Royaume-Uni] | REVIEWS OF BOOKS |
